A portrait of Bill Evans in 1960s New York, where music becomes the only honest conversation.
Written, directed, produced and performed. Praised by Paolo Fresu and Nenette Evans. A short film about genius, solitude, and the weight of what we cannot say.
In post-war Bosnia, silence becomes the last remaining language of survival.
NADA is a self-produced feature film born from returning to one's origins. It observes rather than explains, focusing on faces, gestures and absence. The film exists to honour what remains after conflict, not to dramatize it.